
In front of you there is a Buddhist monk; it's nearly done with his 3 years work: an astonishing series of diagrams made of sand, with breath taking details and a mind blowing conception. What is the worst thing you can do it? Take a shot of it, immortalize his effort. Whaaat?? The bald dude spent 3 years and because he's naïve, he's simply destroying a master piece...What a shame...

OK let's have a chat.
The bald quiet guy is Buddhist. So he thinks this reality is an illusion, at least in the way it appears to our eyes. He respects the fact we have a mind and we can think about a lot of things...but, they are pretty much all...random vanishing draft on a beach, shaped by an ephemeral breeze. The mandala is helping him to remind this, it's a tool to handle the vanity of being minded. And being minded is clearly being narrative.
A mind is the human form of cognition; cognition is a technology of human being to navigate through differences in the world to survive;
the differences in the world are projected by the same cognition in the form of representations: differences are cognitive representations. The human form of cognitive representation is narrative. If you want to tame a human mind, then you need to hollow your narrativity. Being minded is a constant projection of representations; that's it. But of course idolizing the representation activity makes you losing the grip on what is important, that is: nothing.
This is the reason the many prohibitions about representations in religion, from iconoclasm or ban of portraits of god and prophets.

This is the reason the many prohibitions about representations in religion, from iconoclasm or ban of portraits of god and prophets.
A Buddhist monk when is working at his mandala, he's playing with fire. He's exalting his representativity through his work; the more his mandala is beautiful, the more is telling you something, the more is moving your conscience, the worst:

Many authors realized that the true essence of being minded, narrativity, is just the mere vanity of being. David Foster Wallace or Cesare Pavese clashed against the nothingness of authorship: the unbearable lack of sense of representing nothingness.


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